64 


325.  J.  R.  WOODWELL,  Pittsburgh. 

Cernay  la  Yille. 

This  beautiful  picture  was  painted  in  Paris. 


326.  K.  HEILMEYER,  Munich. 

Scene  in  Bavaria. 

327.  Do.  Companion. 

An  exceedingly  fine  pair  of  paintings  from  this  illustrious  centre  of 

art. 


328.  ISAAC  L.  WILLIAMS. 

Landscape. 


329.  P.  SURREAU,  Paris. 

Game. 


330.  J.  S.  THOMAS. 

A  Bachelor’s  Table. 


45 


3am-  8f§,  mi  10f|, 
mb  llHj, 

1874. 


CL. 

^  a 


NO. 

4  2  d 

ACC. 


LIBRARY 


M.KNOEDLER  &  CO 
556-8  Fifth  Ave. 
New  York 


O-A-T-A-LOQ-TTIEEj 


OF 

Mr.  CHARLES  F.  HASELTINE'S 

COLLECTION 

OF 

OIL  PAINTINGS 

Comprising  extraordinary  examples  of  the 

FRENCH,  SPANISH,  ITALIAN, 

GERMAN,  BELGIAN,  DANISH, 

ENGLISH  AND  AMERICAN  ARTISTS. 


The  whole  Collection  will  be  offered  at  Public  Sale, 

ON  THE  EVENINGS  OF 


June  8th.,  9th,  10th  and  11th,  18'74:, 

COMMENCING  EACH  EVENING  AT  1%  O’CLOCK. 


N  O  W  ON  FREE  EXHIBITION, 

DAY  AND  EVENING, 

At  his  Galleries,  No.  1125  Chestnut  Street,  Philadelphia, 

WUERE  IT  WILL  BE  SOLD 


.  .  ,  f  r  A 


;  ■  r-  .  £  m  <d  ?■* 

i  I 


;•  t. 

■ 


«•  f 


H  ! 


:  :A 

■ 


VERY  IMPORTANT  NOTICE! 


The  Collection  of  Art  that  Mr.  Haseltine  offers  at  this  sale 
he  considers  of  the  very  first  importance.  It  contains  over  an  hun¬ 
dred  new  paintings  never  before  exhibited  in  Philadelphia,  and  in¬ 
cludes  representative  works  of  great  excellence  of  many  of  the  most 
important  Artists  in  the  world.  Although  the  entire  sale  is  not  an¬ 
nounced  as  peremptory,  wkhout  reserve,  yet  a  large  number  will  be 
so  disposed  of ;  and  those  pictures  limited  will  be  generally  sold  at  a 
large  percentage  under  their  cost,  as  Mr.  Haseltine  is  always  prepared 
to  sell  any  of  his  pictures  cheap  when  he  offers  them  at  public  sale, 
and  particularly  at  this  time,  at  the  close  of  the  season,  is  he  disposed 
to  do  so,  rather  than  carry  them  over  the  summer  months.  Gentle¬ 
men  who  desire  to  purchase  on  credit,  will  please  confer  with  him 
previous  to  the  sale.  There  are  always  a  great  many  persons  who 
would  desire  to  avail  themselves  of  an  opportunity  like  the  present 
to  buy  fine  paintings,  if  they  could  without  trouble  exchange  one 
security  for  another.  Mr.  Haseltine  will  arrange  with  such  parties 
to  take  in  payment  for  purchases 

GOOD  MORTGAGES  OR  GROUND  RENTS, 

AND 

STOCKS  AND  BONDS  THAT  ARE  MARKETABE, 

but  this  must  be  attended  to  previous  to  the  sale. 

Mr.  Haseltine  will  also  make  exchanges  of  paintings  with  those 
who  desire  to  obtain  newer  or  fresher  works. 


CATALOGUE. 


,  f 

FRITZ  VOLT  AIN,  Metz. 
Landscape  in  Brittany. 
View  near  Metz. 


J.  DIOKERSON. 
Golden  Summer. 


CHARLES  LINFORD,  Pittsburgh. 
View  near  Pittsburgh. 


ISAAC  L.  WILLIAMS. 
Passing  Shower  on  Lake  Champlain. 


C.  H.  SHEARER,  Reading. 
Near  Reading. 

In  the  Alleghanies. 


JAMES  ELLIOTT. 
View  near  Lebanon,  Pa. 
Near  Burlington,  N.  J. 


\ 


CARLO  PONTI,  Florence. 

After  Raffael. 

The  Virgin  of  the  Candelabras. 
Virgin  and  Child. 


GUSTAV  ECKSTEIN,  Munich. 

After  Paul  Delaroche. 

Beatrice  Cenci. 


A.  CRUDOR. 
View  in  Lorraine. 

i 

View  near  Metz. 


F.  FELIX,  Paris. 


7 


16.  J.  WALLACE. 

Bay  of  Naples. 


17.  EDMUND  D.  LEWIS. 
Sunset  on  the  Susquehanna. 

18.  Cottage  on  the  Hudson. 


19.  CHARLES  BEAUMONT. 

On  the  Upper  Delaware. 


20.  G.  FERRARI,  Rome. 

The  Music  Party. 


This  is  the  most  important  of  all  the  pictures  by  this  artist  in  the 
collection.  It  is  a  powerful  picture. 


21. 


F.  MOORMANS,  Paris. 
The  Music  Lesson. 


8 


22.  JULES  MASSE,  Paris. 

The  Departure  for  the  Wars — Scene  During  the  First  Empire. 

A  choice  picture. 

*  > 

23.  E.  H.  MAY,  Paris. 

Medal,  1855. 

Waiting. 


24.  EDOUARD  ZAMACOIS,  (deceased.) 

Medals,  1867,  1868  and  1870. 

The  Cavalier’s  Repose. 

The  works  of  Zamacois  are  becoming  exceedingly  rare,  and  those 
collectors  who  have  not  already  secured  one,  had  better  avail 
themselves  of  the  opportunities  as  they  offer,  as  there  will  soon 
be  none  upon  the  market. 


25.  T.  BUCHANAN  READ,  (deceased.) 

The  Lady  of  Shalott. 

“  Out  upon  the  wharves  they  came, 

Knight  and  burgher,  lord  and  dame, 

And  round  the  prow  they  read  her  name, — 

The  Lady  of  Shalott. 

“  Who  is  this  ?  and  what  is  here  ? 

And  in  the  lighted  palace  near 
Died  the  sound  of  royal  cheer  ; 

And  they  crossed  themselves  for  fear, 

All  the  knights  at  Camelot. 

“  But  Lancelot  mused  a  little  space  ; 

He  said,  ‘  She  has  a  lovely  face ; 

God  in  his  mercy  lend  her  grace, 

The  Lady  of  Shalott.’  ” — Tennyson. 


* 


9 


26.  PIERRE  M.  BEYI*E,  Paris. 

The  Performer’s  Pet. 


27.  A.  ROMAKO,  Rome. 

J  The  Star  of  Hope. 


28.  CARL  SUHRLANDT,  Schwerin. 

Before  the  Rich  Man’s  Door. 


29. 

MILNE  RAMSEY. 

Still  Life. 

30. 

Objects  of  Art  and  Nature. 

31. 

G.  TOESCHI,  Rome. 

The  Visit  of  the  Cardinal. 

32. 

A.  GRIPS,  Brussels. 

The  Thoughtful  Mistress. 

10 


33.  L.  BUNTING  WADE. 

In  the  Studio. 


/ 


34. 

H.  CORRODI,  Rome. 

View  on  the  Seine. 

35. 

On  the  Moselle. 

Mr.  Haseltine  has  never  beheld  a  more  beautiful  pair  of  landscapes 
by  H.  Corrodi,  who  is  an  artist  very  highly  esteemed  in  Rome. 
They  were  selected  by  his  brother. 


36.  J.  SAUZAY,  Paris. 

On  the  Seine. 


37.  CHARLES  SEIBELS,  Dusseldorf. 

Holland  Landscape  with  Cattle. 

A  picture  with  the  finest  qualities  of  Andreas  Achenbach,  and  in 
itself  without  a  fault.  Really  a  great  work. 


38. 


F.  GROSHOLTZ,  Munich. 
View  in  Bavaria. 


11 


39.  ALFRED  WAHLBERG,  Paris. 

Medals,  1870,  1872  and  1873. 

Landscape — Brittany. 

No  one  of  the  new  and  rising  landscape  painters  of  France  is  exciting 
the  interest  and  expectations  of  amateurs  as  this  artist,  who  is 
here  represented  by  his  most  important  and  greatest  work. 


40.  A.  R.  VERON,  Paris. 

Cloudy  Day  in  Lorraine. 

Probably  nothing  by  this  artist  equal  to  this  has  ever  been  imported, 
although  not  as  large  as  some  of  his  pictures,  it  is  a  first  class 
effort  of  this  first  class  painter. 


41.  CHARLES  BEAUMONT. 

Oberholfen — Lake  Thoune. 


42.  H.  SIMON. 

Lake  George. 

43.  Lake  Champlain. 


44.  F.  DECAMP. 

Castle  Schaurgelt  in  Thuringia. 


12 


45.  C.  H.  SHEARER,  Reading. 

Near  Reading. 

46.  Near  Pottsville. 


47.  R.  MORTON. 

Morning  on  the  Nile. 


48.  L.  DOUSSAINT. 

View  in  Alsace. 


49.  LUCIEN  POWELL. 

View  near  Cairo,  Egypt. 


50.  L.  BUNTING  WADE. 

Forsaken  Vices. 


I 


13 

51.  H.  HUMPHREY  MOORE,  Tangier. 

^  Gipsy  Family,  near  Granada. 

This  picture  is  the  production  of  one  of  the  most  talented  of  American 
painters  abroad.  Mr.  Moore  bids  fair  to  win  for  himself  a  high 
place  in  the  World  of  Art. 


52.  FRANZ  MOORMANS,  Paris. 

Speak,  Sir. 

A  most  superb  specimen. 


53.  P.  KNARREN,  Brussels. 

The  First  Toy. 

A  splendid  picture,  painted  in  the  style  of  Florent  Willems. 


54.  JAMES  TISSOT,  London. 

Medal,  1866. 

The  Abduction. 

Tissot,  though  often  represented  in  this  country,  has  probably  never 
been  so  by  so  splendid  a  production  from  his  pencil.  By  art 
critics  and  collectors,  both  abroad  and  at  home,  this  is  con¬ 
sidered  his  most  famous  picture.  It  is  really  fascinating. 


F.  LIARDO,  Rome. 

Sociably  Inclined. 

A  picture,  that  by  its  humor  must  interest  both  old  and  young,  and 
by  its  art  those  who  love  art. 


ARNALDI  CORRODI,  Rome. 

The  Rest  at  Noon. 

This  painting  of  the  very  highest  class,  is  probably  the  finest  repre¬ 
sentative  work  by  Arnaldi  Corrodi  ever  imported. 


Y.  CHEYILLARD,  Paris. 
The  Pet  Dog. 

A  most  brilliant  and  beautiful  picture. 


J.  B.  A.  E.  BERANGER,  Paris. 

Medals,  1846  and  1848. 

The  Little  Dressmaker. 


G.  FERRARI,  Rome. 

Espionage. 

9 

Curiosity. 

The  works  of  Ferrari  are  not  often  seen  in  this  country.  His  pictures 
are  fine  works  of  art,  and  are  expensive.  Mr.  Haseltine  is  satis¬ 
fied  that  they  will  meet  with  the  approval  of  the  public. 


15 


61.  W.  ANGUS,  Antwerp. 

A  Holland  Interior. 


62.  HENRI  PIERRE  PICOU,  Paris. 

Medals,  1848  and  1857. 

Hunt  the  Ring. 

68.  Guess  my  Name. 

These  two  pictures  are  the  originals  aft£r  which  the  engravings  were 
made.  They  were  disposed  of  at  the  Derby-Everard  Sale  last 
Spring  at  $1000  each. 


64.  EDOUARD  RICHTER,  Paris. 

The  Stroll  by  the  Brook. 


65.  THOMAS  SULLY,  (deceased.) 

Domesticity. 

This  is  one  of  the  most  important  works  of  Sully. 


66.  TREVOR  McCLURG,  Pittsburgh. 

After  Coutoure. 

Page  and  Hawk. 

This  excellent  copy  of  the  most  famous  picture  by  Coutoure,  was 
pronounced  by  that  great  artist  himself,  as  the  best  copy  ever 
made  of  the  painting. 


16 


67. 


67a. 


L.  BUNTING  WADE. 
After  the  Ramble. 
Study. 


68. 


C.  J.  SMITH. 
Phillipa. 


69. 


S.  P.  DYKE. 
Near  Altoona. 


70. 


G.  L.  GUMPERT. 
Only  her  Cousin. 


71. 


P.  LEVIN. 
Happy  Childhood. 


72. 


73. 


J.  S.  HILL. 
Setter. 
Hound. 


17 


74. 

75. 

76. 

v 

77. 


78.  CHARLES  BEAUMONT. 

Scene  in  Wales. 

79.  LUCIAN  POWELL. 
Scene  in  the  Tropics. 


NEWBOLD  H.  TROTTER. 
The  Track  of  the  Destroyer. 
View  near  Cresson. 

..  1 

F.  W.  RANDLE. 

In  the  Park. 

GEORGE  HARRIS. 
Afternoon  on  the  Nile. 


80.  P.  SOLTAU,  Paris. 

Father  Ambrose. 

\ 


81. 


9 


First  Lessons. 


18 


82.  CARL  SUHRLANDT,  Schwerin. 

After  Rosa  Bonheur. 

Ploughing. 


83.  JOSEPH  JOHN,  Boston. 

The  Bathers. 


19 


« 


SECOND  EVENING’S  SALE. 

I 

_ 


84.  L.  DOUSSAINT. 

Scene  in  France. 

85.  EDMUND  D.  LEWIS. 

View  in  Maryland. 

» 

86.  B.  EUGENE,  Paris. 

On  the  Outskirts  of  Zurich. 

87.  T.  W.  MARSHALL,  New  York. 

In  the  Catskills. 


88. 


A.  DENAIN,  Paris. 
Scene  in  the  South  of  France. 


A.  S.  WALL,  Pittsburgh. 
The  Edge  of  the  Forest. 

F.  RAFFAELLI,  Paris. 
The  Outskirts  of  Lyons. 


N.  MORTIMER,  Paris. 
Scene  on  the  Moselle. 
View  in  Champagne. 


CARL  SUHRLANDT,  Schwerin. 
Young  Italian  Girl. 


P.  SOLTAU,  Paris. 
Father  Clement. 


JAMES  HAMILTON. 
Out  at  Sea. 


GEORGE  HARRIS. 
View  near  Johnstown,  Pa. 


21 


97.  J.  SCHLESSINGER. 

Still  Life. 


98.  CHARLES  JOSEPH  BEAUVERIE,  Paris. 

On  the  Seine. 

f 

99.  L.  COMELERAN,  Paris. 


Feeding  the  Ducks. 


100.  J.  R.  WOODWELL. 
Cernaj  la  Ville,  France. 

101.  JERVIS  McENTEE,  New  York. 

The  Last  Gleam. 

102.  GEORGE  C.  LAMBDIN. 

Reading. 

103.  A.  MARCHAUX,  Paris. 

The  Beautiful  Greek  Girl. 

\ 


22 


104.  E.  H.  MAY,  Paris. 

Medal,  1855. 

The  Masquerade. 

105.  J.  DE  NITTIS,  Paris. 

The  Costumer’s  Shop. 

A  brilliant  example  and  rich  in  color.  Such  a  specimen  is  difficult 
to  obtain,  and  commands  a  high  price. 


106.  J.  L.  VAN  LEEMPUTTEN,  Brussels. 

The  Farm  Yard. 


407.  FERDINAND  ROYBET,  Paris. 

Medal,  1866. 

Still  Life. 

A  grand  still  life,  full  of  the  finest  quality,  but  perhaps  painted  in 
too  low  a  key  to  be  admired  by  those  not  up  in  art  matters. 


108.  MATHIAS  LEYENDECKER,  Paris. 

Game. 


Painted  like  a  minature. 


23 


109. 

ALBERT  LAMBRON,  Paris. 

Cup  and  Balls. 

110. 

The  Violin. 

A  most  beautiful  pair  of  paintings,  and  splendid  examples  of  the  artist. 

IB''  1 

111.  A.  ROMAKO,  Rome. 

Narcissus. 

112.  ZACHERIE  NOTERMAN,  Paris. 

Waiting. 


113.  F.  DE  VOS,  Brussels. 

Circus  Performers  at  Rest. 


114.  CARL  ROBIEJSH,  Munich. 

Up  to  Mischief. 


115.  JUAN  A.  GONZALEZ,  Paris. 

Self-Satisfaction. 

A  fine  example  of  the  popular  school. 


24 


116.  A.  GRIPS,  Brussels. 

Flemish  Interior. 

I 

117.  ERNEST  HILDEBRANDT,  Berlin. 

The  Watchful  Mother. 

This  is  a  painting  of  a  very  high  order  of  merit.  The  artist  ranks 
as  one  of  the  first  of  German  painters. 


118.  EMILE  LEVY,  Paris. 

Grand  Prize  of  Rome,  1854  ;  Medals,  1859,  ’64,  '66  ;  Cross  of  the  Legion 
of  Honor,  1867  ;  Medal,  1867,  E.  U. 

Love’s  Whispers. 

An  exquisite  picture. 


119.  JULES  GOUPIL,  Paris. 

Paying  Calls. 

An  exquisite  painting  of  the  highest  class. 


120. 

AUG.  INNOCENTI,  Rome. 

The  Connoisseur. 

121. 

The  Secret  Letter. 

A  pair  of  gems. 

/ 


25 


122.  J.  SPIRIDON,  Rome. 

Th#Game  of  the  Dwarfs. 

Since  the  death  of  Zamacois,  no  one  has  succeeded  so  well  in  ren¬ 
dering  his  favorite  subjects  as  Spiridon. 


123.  J.  A.  HEUILLANT,  Paris. 

The  Siesta — Scene  in  Japan. 

A  fine  work  of  art. 


124.  CARNAVALLI,  Rome. 

The  Pet  Dog. 

0 


125.  CHARLES  HOGUET,  (deceased.) 

Medal,  1848. 

On  the  Coast  of  Norway. 


126.  W.  S.  HASELTINE,  Rome. 

Capri. 


127.  ALBERT  BIERSTADT,  New  York. 

% 

View  on  Sir  Morton  Peto’s  Grounds,  near  Great  Yar¬ 
mouth,  England. 


26 


128. 

F.  E.  CHURCH,  New  York. 

Scene  in  the  Adironda%ks. 

129. 

WILLIAM  HART,  New  York. 

View  on  the  Saco  River. 

130. 

G.  W.  NICHOLSON. 

On  the  Welsh  Coast. 

131. 

Mountgomery,  North  Wales. 

132. 

J.  B.  BREYOORT,  New  York. 

Scene  in  New  York  State. 

133. 

H.  VAN  HOVE,  Antwerp. 

Dolly’s  Breakfast. 

134. 

PROF.  B.  NORDENBURG,  Dusseldorf. 

Amusing  the  Little  Folks. 

135. 

L/ 

A.  SCHUTZE,  Munich. 

What’s  your  name,  little  girl  ? 

27 


^  ;  136.  EDOUARD  J.  C.  HAMMAN,  Paris. 

Medals,  1853,  ’55,  ’59,  ’63;  Cross  of  the  Legion  of  Honor,  1864. 

Tender  Moments. 

The  reputation  acquired  by  Hamman  is  not  to  be  wondered  at,  while 
contemplating  this  work  of  his  genius. 


137.  FELIX  COJEN,  Brussels. 

Self-Satisfaction. 


138.  J.  LAWRENCE. 
View  in  Chester  County. 

139.  On  Lycoming  Creek. 


140.  ISAAC  L.  WILLIAMS. 

Autumnal  Sunset. 

141.  NEWBOLD  H.  TROTTER. 

Train  Coming. 

142.  L.  BUNTING  WADE. 

Fancy  Head. 


28 


143.  H.  W.  KEMPER. 

View  in  the  Yosemite  Valley,  California. 

144.  On  the  Juniata. 


145.  '  FREDERICK  RANDLE. 

Roman  Girl  at  the  Well. 


146.  F.  SIMMONS,  New  York. 

Abraham  Lincoln. 

/. 

A  splendid  bronze  bas-relief. 

147.  S.  P.  DYKE. 
Autumn  on  the  Juniata. 


29 


THIRD  EVENING’S  SALE. 


148. 


C.  COPEL,, Paris. 
Contemplation. 


149.  KENNY  MEADOWS,  London. 

Boating. 

150.  NEWBOLD  H.  TROTTER. 

Lioness. 


151.  H.  W.  KEMPER. 
View  on  Gauley  River. 

152.  Hawk’s  Nest,  Virginia. 


153. 


154. 


THORP  FLAHERTY. 
View  in  Brittany. 
View  near  Berkshire. 


30 


155. 


CHARLES  BEAUMONT. 
On  Seneca  Lake. 


156. 


J.  R.  EVANS,  Jr. 
Landscape  and  Cattle. 


157. 


158. 


J.  LAWRENCE. 

Head  Waters  of  the  Missouri. 
Midsummer. 


159. 


EMILE  VERNIER,  Paris. 
View  near  Paris. 


160. 


F.  RAFFAELLI,  Paris. 
Street  Scene  in  Paris. 


161. 


J.  SANTORO,  Rome. 
Scene  near  Rome. 


162. 


L.  BUNTING  WADE. 
The  Last  Number. 


31 


163.  W.  T.  FINKREINER. 

Red  Riding-Hood. 

164.  SAMUEL  COLMAN,  New  York. 

Gibraltar. 

165.  WILLIAM  S.  HASELTINE,  New  York. 

Fishing  Boats  at  Ischia. 

166.  EASTMAN  JOHNSON,  New  York. 

The  Father’s  Noonday  Meal. 

167.  PAUL  SOYER,  Paris. 

The  Mother’s  Joy. 

»'  ■  - 

168.  MILNE  RAMSEY. 

Still  Life. 

169.  ISAAC  L.  WILLIAMS. 

On  the  Schuylkill  near  Philadelphia. 


32 


170.  CHARLES  LINFORD,  Pittsburgh. 

View  in  Western  Pennsylvania. 

/  / 

* 

171.  JULES  DUPRE,  Paris. 

Medals,  1833  ;  Cross  of  the  Legion  of  Honor,  1849  ;  Medal,  1867,  E.  U. 

View  in  France. 

A  most  superior  specimen  of  this  illustrious  landscape  painter. 


172.  H.  J.  HOLBROOK. 

The  Bridal  Veil — Yosemite  Valley. 
172a.  The  Domes  of  the  Yosemite. 


173. 

% 


Gr.  ENGLEHARDT,  Berlin. 
Bavarian  Torrent. 

A  most  superb  picture. 


♦ 


174.  COUNT  A.  DE  BYLANDT,  Brussels. 

Lake  of  Como. 

175.  A.  DEFAUX,  Paris. 

Spring  Time. 

A  beautiful  painting.  The  sheep  in  this  picture  are  certainly  equal 
to  Jacque. 


33 


176.  NOEL  SAUNIER,  Paris. 

Visitors  at  the  Ruined  Abbey. 

j 

177.  LITSCIIAUER,  (deceased.) 

The  Armourer. 

One  of  the  best  German  pictures  in  the  sale,  and  by  a  celebrated  man. 


178.  G.  DOYEN,  Paris. 

The  New  Aigrette. 


179.  A.  DE  POTTER,  Paris. 

Share  and  Share  Alike. 


180.  P.  LINDER,  Paris. 

Garden  Scene  during  the  French  Revolution. 

A  beautiful  artistic  picture,  that  truthfully  represents  the  period  of 
the  Revolution.  The  art  in  it  is  splendid. 


181.  E.  MELIDA,  Rome. 

'  The  Arrival  Home. 

A  careful  and  agreeable  rendering  of  an  every-day  subject  in  Spain. 


182.  LEON  Y.  ESCOSURA,  Paris. 

Decoration  of  Spain. 

Before  the  Departure. 


3 


34 


183. 


ADOLPHE  SCHREYER,  Paris. 

Medals,  1864,  ’65,  '67. 


Fleeing  from  the  Fire. 

For  quality  and  beauty,  this  picture  is  unsurpassed  and  unsurpass¬ 
able,  by  Schreyer.  It  was  bought  in  Berlin,  and  formed  a  part 
of  the  celebrated  collection  lately  sold  there. 


184.  THEOPHILE  GIDE,  Paris. 

The  Rehersal  for  the  Mass. 

/ 

185.  EMILE  LEVY,  Paris. 

Grand  Prize  of  Rome,  1854;  Medals,  1859,  ’64,  ’66;  Cross  of  the 
Legion  of  Honor,  1867  ;  Medal,  1867,  E.  U. 

Erecting  the  Statue. 

A  most  important  work  by  this  artist. 


186.  GIOVANNI  ROTA,  Paris.  . 

The  Visit  to  the  Gallery — In  the  Time  of  the  Directory. 

No  one  can  but  pause  before  this  painting;  and  to  pause  is  to  praise 
and  to  admire.  Certainly  a  more  attractive  picture  cannot  be 
presented.  » 


187.  EDOUARD  RICHTER,  Paris. 

The  Temptation  of  Faust. 

Anything  more  magnificent  than  this  picture  it  is  difficult  to  con¬ 
ceive  of.  Resplendent  in  color,  it  is  rich  in  tone  ;  splendidly 
drawn  and  composed, ’it  is  crowded  with  effects  the  most  diffi¬ 
cult  of  treatment  and  the  grandest  in  conception. 


35 


A.  DELOBBE,  Paris. 

Resting. 

ED.  NAVONE,  Rome. 

The  Toilet. 

I .  ' 

F.  ANDREOTTI,  Rome. 

The  Tease. 

0.  CORTAZZO,  Paris. 

The  Morning  Walk. 

A  brilliant  example  of  this  great  artist. 

L.  ALVAREZ,  Rome. 

The  Dancing  Lesson. 

A  beautiful  picture.  The  companion  was  sold  for  a  very  large  price. 

193.  HEILIGERS,  Brussels. 

Surprised. 

194.  N.  CIPRIANI,  Rome. 

Watching  the  Balloon. 

195.  V.  TIIIRION,  Paris. 

Gathering  Grapes. 


188. 


189. 


190. 


191. 


192. 


r 


36 


196.  W.  AMBERG,  Berlin. 

Abstraction. 

A  picture  of  fine  subject  and  quality,  and  well  calculated  to  adorn 
any  dwelling. 


197.  H.  W.  KEMPER. 

White  Mountains. 

198.  Old  Mill  by  Moonlight. 


199.  S.  P.  DYKE. 

Scene  in  Western  Virginia. 

200.  Winter  in  Chester  County. 

201.  C.  H.  SHEARER. 

In  the  Forest. 

202.  Solitude. 

203.  LUCIAN  POWELL. 

Scene  in  Virginia. 

204.  THORP  FLAHERTY. 
Fisherman’s  Hut  Scene  in  Wales. 

205.  Market  Boats,  Welsh  Coast. 


37 


206. 

207. 

208. 

209. 

210. 

211. 

212. 

213. 

214. 

215. 

216. 


R.  MORTON. 

View  near  Hagerstown,  Md. 

H.  J.  HOLBROOK. 
Rocky  Fork,  Ohio. 

The  Cove. 

HOWARD  HELMICK,  London. 
Playing  with  Edge  Tools. 

A.  M.  HOOPES,  Paris. 

The  Toilet. 

Still  Life. 

J.  R.  EVANS,  Jr. 
Landscape  and  Cattle. 

H.  J.  HOLBROOK. 
Flowers. 

L.  BUNTING  WADE. 

Still  Life. 

* 


J.  LERAY,  Paris. 

View  near  Paris. 

Do.  Companion. 


38 


FOURTH  EVENING’S  SALE. 


217. 


C.  H.  SHEARER,  Reading. 
In  the  Forest. 


218.  EUGENE  VERBOECKHOVEN,  Brussels. 

Medals,  1824,  ’41,  ’55;  Cross  of  the  Legion  of  Honor,  1845. 

The  Favorite. 

219.  CONSTANT  TROYON,  (deceased.) 

Medals,  1838,  '40,  ’46,  ’48,  ’55 ;  Cross  of  the  Legion  of  Honor,  1849. 

Landscape  and  Cattle. 


220.  P-.  P.  PRUDHON,  (deceased.) 

Psyche  Borne  by  the  Zephyrs. 

One  of  the  most  brilliant  specimens  of  this  artist  ever  exhibited. 
The  large  painting,  by  the  same  artist,  is  in  the  Louvre. 


221.  P.  SERATRICE,  Rome. 

The  Siesta. 

In  the  style  which  made  Zamacois  so  famous,  it  is  so  well  done  that 
it  will  commend  itself  to  amateurs. 


39 


222.  LADISLAS  BAKALOWICZ,  Paris. 

Curiosity. 

The  pictures  of  this  artist  require  no  introduction. 


223.  G.  FERRARI,  Rome. 

The  Ambuscade. 

It  is  only  of  Jate  years  that  the  paintings  of  Ferrari  have  been  im¬ 
ported  ;  but  they  have  long  commended  themselves  to  European 
buyers. 


224.  AL.  VAN  HAMME. 

The  Guitar  Lesson. 


225.  F.  BARTH. 

Feeding  Rabbits. 


226.  ALBERT  LAMBRON,  Paris. 

Cup  and  Balls. 


227. 


MILNE  RAMSEY. 

Objects  of  Art. 

One  of  this  artist’s  most  important  works. 


40 


228.  VICTOR  TORTEZ,  Paris. 

The  Rivals. 

A  subject  interesting,  and  treated  in  a  peculiarly  attractive  and 
forcible  manner.  The  page  in  grey  tights  certainly  seems  de¬ 
termined  that  the  other  gentleman  shall  not  pay  attention  in  the 
direction  of  his  thoughts,  if  he  can  help  it. 


229.  J.  A.  NEUHUYS,  Brussels. 

The  Portrait. 


This  splendid  painter  ranks  with  Florent  Willems,  and  holds  high 
place  with  him  in  the  world  of  art.  This  is  a  superb  work. 


230.  WILLIAM  HART,  New  York. 

Summer. 

231.  Autumn. 


232.  CHARLES  LEICHERT,  Antwerp. 

River  View  below  Amsterdam. 


233. 


234. 


WILLIAM  S.  HASELTINE,  Rome. 
Clearing  Up  after  a  Storm. 


S 

LEON  RICHET,  Paris. 


Medal,  1872. 

View  in  Picardie. 


41 


235. 


S.  JACOBSEN,  Dusseldorf. 
Bright  Moonlight. 


This  is  the  most  splendid  example  of  this  celebrated  painter  in  the 
country.  It  took  a  Silver  Medal  in  the  World’s  Fair  at  the 
Crystal  Palace. 


236. 


REGIS  GIGNOUX,  Paris. 
The  Falls  of  Saint  Anne,  Canada. 


There  never  has  been  a  stronger  picture  painted  by  any  artist  in  this 
country.  It  is  as  fine  as  the  very  best  French  art. 


237.  CHARLES  FRANCOIS  DAUBIGNY,  Paris. 

Medals,  1848,  ’53,  ’55,  ’57,  ’59  ;  Cross  of  the  Legion  of  Honor,  1859  ; 
Medal,  First-class,  1867,  B.  U. 


Landscape  in  France. 


A  perfectly  magnificent  painting,  and  one  worthy  of  the  highest 
laudations.  Only  the  master  could  so  truthfully  and  conscien¬ 
tiously  depict  this  phase  of  nature. 

This  picture  would  cost,  in  M.  Daubigny’s  studio,  20,000  francs,  and 
is  the  finest  specimen  of  the  artist  in  this  country. 


C.  PITTARA,  Rome. 


237a. 


Twilight  on  the  Roman  Campagna. 

One  of  the  most  superb  efforts  of  this  great  painter  ever  shown  in 
this  country. 


4 


42 


238.  OTTO  WEBER,  Rome. 

Medals,  1864  and  1869. 

Treading  out  the  Wheat. 

Mr.  Haseltine  considers  this  example  of  Weber  beyond  praise.  The 
companion  picture  was  purchased  by  a  famous  collector  of  art 
in  New  York,  from  Mr.  Weber,  in  his  studio,  for  $1000,  gold. 


239.  W.  MEYERHEIM,  Berlin. 

Winter  Scene  in  Antwerp. 

There  is  no  painter  who  surpasses  Meyerheim  in  these  subjects. 


240.  B.  C.  KOEKKOEK,  (deceased.) 

On  the  Zuyder  Zee. 

The  good  works  of  the  great  Iveokkeok  have  become  of  late  years 
exceedingly  rare,  and  dealers  even  experience  great  difficulty  in 
obtaining  a  specimen.  This  unusually  good  one  is  presented 
with  the  hope,  that  those  interested  in  the  best  foreign  art,  will 
not  permit  it  to  sell  below  its  value,  for  it  would  be  difficult  to 
replace  with  one  so  excellent.  It  has  been  likened  to  efforts  by 
the  old  Dutch  masters. 


241. 

242. 

243.  F.  HOWLAND,  Paris. 


J.  LERAY,  Paris. 
Crossing  the  Brook. 
Waiting. 

A  beautiful  pair  of  art  gems. 


» 


The  Bather. 


43 


244.  LOUIS  LASSALLE,  Paris. 

Feeding  the  Chickens. 


245. 


HENRI  COROENNE,  Paris. 
The  Salute. 

A  superb  and  brilliant  work  of  art. 


246.  LOUIS  JIMENEZ,  Rome. 

The  Attentive  Listener. 


247. 

JULES  GOUPIL,  Paris. 

Reverie. 

248. 

Waiting. 

A  pair  of  paintings  exceedingly  attractive,  and  rendered  as  only 
Jules  Goupil  can  do.  They  are  worthy  of'  great  praise. 


249.  LOUIS  ROSSI,  Rome. 


The  Artist. 

One  of  the  most  beautiful  examples,  by  this  illustrious  painter,  ever 
exhibited  in  this  country. 


250. 


AND.  SHEERBOOM,  Brussels. 
The  Guard  Room. 


44 


251.  A.  DUCRO,  Rome. 

Displaying  the  Jewels. 

This  picture  of  the  Roman  School  is  of  the  very  finest  quality,  and 
worthy  of  the  consideration  of  the  best  connoisseurs. 


252.  H.  SALENTIN,  Dusseldorf. 

The  Victorious  Sharpshooter. 

A  great  example  of  a  great  painter. 


253.  MICHAEL,  Paris. 

After  the  Meal. 

This  work  of  art  is  only  to  be  seen  to  be  admired. 

*  \ 


254.  JOSEPH  CARAUD,  Paris. 

Medals,  1859,  ’61,  ’63;  Cross  of  the  Legion  of  Honor,  1867. 

The  Art  Lesson. 

One  of  this  artist’s  finest  works. 


255.  G.  CASTIGLIONE,  Paris. 

Inspecting  her  Treasures. 

A  choice  picture  by  an  artist  who  is  justly  obtaining  a  first  place  in 
art  estimation. 


45 


256. 


EUGENE  CUNY,  Paris. 
The  Anxious  Parents. 


257. 


CARL  SCHLOSSER,  Paris. 
In  the  Cathedral. 


258. 


G.  DOYEN,  Paris. 

The  Luncheon. 

A  work  of  the  very  highest  class. 


259. 


C.  D.  HUE,  Paris. 

The  Departure  for  the  Promenade. 

A  beautiful  picture. 


260.  EUGENE  BENSON,  Rome. 

Devotion. 

This  example,  by  one  of  our  American  artists  in  Rome,  is  a  fine  and 
important  work. 


261.  J.  H.  BEARD,  New  York. 

A  Peep  at  the  Coming  Danger. 

Beard  is  considered  the  best  artist  that  America  has  ever  had  in 
such  subjects. 


46 


262.  S.  J.  GUY,  New  York. 

The  Old,  Old  Story,  Told  Again. 

With  those  most  familiar  with  Mr.  Guy’s  fine  works,  this  effort  is 
considered  very  superior.  It  certainly  leaves  nothing  to  be 
desired,  while  contemplating  its  charms  and  merit. 


'  f  ,  * 

263.  LEON  CAILLE,  Paris. 

The  Evening  Prayer. 

A  most  beautiful  painting,  in  subject  and  execution. 


a 


264.  J.  TAPIRO,  Rome. 

The  Mother’s  Pride. 

This  is  one  of  the  finest  water-color  pictures  ever  seen  in  Philadel¬ 
phia. 


265.  N.  CIPRIANI,  Rome. 

Summer  Rambles. 

An  aquarelle  of  the  highest  class. 


266.  GUSTAV  DE  JONGHE,  Paris. 

Medals,  1863,  ’08,  ’70. 

The  Music  Lesson. 

During  the  past  year  the  works  of  De  Jonglie  have  met  with,  in  his 
case,  an  unprecedented  demand  ;  and  it  is  admitted  that  he  will, 
without  doubt,  be  the  successor  of  Alfred  Stevens,  in  the  esti¬ 
mation  of  connoisseurs. 


I 


47 


\ 


267. 


SEELDRAYER,  Paris. 
Baby  Don’t  Like  It. 


I 


268. 


BOUCHARD,  Paris. 
An  Italian  Beauty. 


269.  H.  YON  SEBEN,  Brussels. 

HENRIETTA  RONNER,  Brussels. 
Winter  Pastimes. 

As  fine  a  specimen  of  these  artists  as  ever  imported. 


270.  JULES  GOUPIL,  Paris. 

The  New  Novel. 

■* 

0 

271.  G.  TOESCHI,  Rome. 

Teasing  Polly. 

272.  The  Old  Beau. 

Of  all  the  paintings  of  the  now  celebrated  Roman  school  of  art, 
perhaps  Mr.  Haseltine  has  never  exhibited  a  more  beautiful  pair 
of  pictures.  * 


48 


v- 


,  273.  A.  GRIPS,  Brussels. 

A  Belgian  Interior. 


274.  H.  L.  ROLFE,  London. 

Trout. 


This  beautiful  painting  is  the  work  of  the  most  illustrious  painter  of 
fish  in  the  world. 


275.  MILNE  RAMSEY. 

Objects  of  Nature  and  Art. 


276.  L.  BUNTING  WADE. 

Turkish  Lady. 


277.  EMANUEL  LEUTZE,  (deceased). 

The  Successful  Suitor. 

In  New  York,  where  the  works  of  Leutze  are  best  known,  this  ex¬ 
ample  stands  pre-eminent.  It  is  considered,  perhaps,  the  finest 
work  of  his  life. 


278. 


\ 


279. 


IL  J.  HOLBROOK. 

The  Babes  in  tbe  Wood. 

The  Empty  Stocking — Christmas  Morning. 


